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SHAPAWNG YAWNG MANU POI: IT’S HISTORICAL AND CULTURAL IMPORTANCE OF THE FESTIVAL AMONG THE SINGPHO COMMUNITY

AUTHORS:
Arpita Dowarah
Mentor
Affiliation
Department of Sociology,Assam University, Silchar cum Asst. Professor in Don Bosco College, Golaghat
CC BY 4.0 License:
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract

Singphos are one of the major tribes on North East India. The tribe is known as Jingpo in China and in Burma it is known as Kachin. The Singpho tribe belongs to Mongoloid stock and found in the upper part of the Tinsukia district of Assam and other parts of Assam. They have vibrant and rich cultures that fascinate other people from the rest of the world. If talk about Shapawng Yawng Manu Poi, which is the traditional dance festival of Singphos that celebrated every year in the month of February. It is one of the national festivals of Singphos and festival is organized to show the culture and traditional custom of the community. In order to focus the importance of the festival the paper will highlight the historical and cultural importance of the festival with Singphos and it will also focus on the acceptance of the festival by the community in the modern society. For collection of data both primary and secondary source of data will be used were the secondary source of data will collected from e-books, journals, magazines etc. For primary data collection the ethnographic approach will be used with the quasi participant observation method followed by interview schedule.

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Dowarah, A. (2026). Shapawng Yawng Manu Poi: It’s Historical and Cultural Importance of the Festival Among the Singpho Community. International Journal of Science, Strategic Management and Technology, 02(03). https://doi.org/10.55041/ijsmt.v2i3.266

Dowarah, Arpita. "Shapawng Yawng Manu Poi: It’s Historical and Cultural Importance of the Festival Among the Singpho Community." International Journal of Science, Strategic Management and Technology, vol. 02, no. 03, 2026, pp. . doi:https://doi.org/10.55041/ijsmt.v2i3.266.

Dowarah, Arpita. "Shapawng Yawng Manu Poi: It’s Historical and Cultural Importance of the Festival Among the Singpho Community." International Journal of Science, Strategic Management and Technology 02, no. 03 (2026). https://doi.org/https://doi.org/10.55041/ijsmt.v2i3.266.

References
.  1.Shapawng Yawng Manu Poi anchors Singpho collective memory,” (2026) Singpho Festival Scholarly Imsights.

2.“Shapawng Yawng Manau Poi Changlang District, Government of Arunachal Pradesh | India,” Government of Arunachal Pradesh, [Online]. https://changlang.nic.in/festivals/shapawng-yawng-manau-poi/ 2020

3.Tunkhang, R (2018) ‘Some Aspects of Ethnic Art and Cultural Practices for Community Empowerment: A Study of Singphos of Assam, India,” International Journal of Creative Research Thoughts.

4.Wang, Z (2018) “Counter Flow of Cross-country Audiovisual Products and Cross-border Ethnic Identity in the China-Myanmar Border Region,” in Proc. ICCESSH, pp.1656–1661. DOI: 10.2991/iccessh-18.2018.339

5.Brath, G (2013) “Kachin sound instruments within the context of the kachin baptist convention of northern burma,” M.A. thesis, Liberty University.

6.Barkataki-Ruscheweyh, M (2017) Dancing to the state: Ethnic compulsions of Tangsa in Assam. Oxford University Press, New Delhi. DOI: 10.1093/oso/9780199472598.001.0001

7.“Shapawng Yawng Manau Poi celebrated | Preserve culture, language and heritage: DCM,” Arunachal Observer, Feb.15, 2026 [Online]https://arunachalobserver.org/2026/02/15/shapawng-yawng-manau-poi-2026-celebrated-preserve-culture-language-and-hertage-dcm/

8.P. Sonowal and J. Konwar (2024) “Between Cultural Continuity and Changes: With special reference to Singpho community,” International Journal of Social Science and Human Research, vol. 7, no. 3, DOI:10.47191/ijsshr/v7-i03-21

9.Choudhury, S. & Dutta, (ed). (1980) Gazetteer of India, India, Arunachal Pradesh, Tirap District, Shillong.

10.Morey, S. (2014) Studying tones in North East India: Tai, Singpho, and Tangsa. Language Documentation & Conservation, 8, 637–671.
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This article has undergone plagiarism screening and double-blind peer review. Editorial policies have been followed. Authors retain copyright under CC BY-NC 4.0 license. The research complies with ethical standards and institutional guidelines.
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