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International Journal of Science, Strategic Management and Technology

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DIVINE IN ART: AESTHETIC RAPTURE, MASOCHISM, METAPHYSICAL AWARENESS

AUTHORS:
Vivechana Prajapati
Mentor
Affiliation
CC BY 4.0 License:
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract

This research paper is based on the practical findings on the power of transformation of art and the potential developed in the process that leads to metaphysical awareness. In the beginning, art was only the inspiration, a realm of wonder which was full of complexities in its experience. The attraction toward art was not enough; it required more effort to earn skills, and later it became a source of strength in times that were carrying alienation and distress. So many enquiries about purpose and existence were born out in the phase of personal and economic hardship, shaping a focus from artistic pursuits to intellectual and spiritual quests. The study of literary canons became a medium toward the understanding of karma, metaphysics, and cosmic balance. This study examines whether the aesthetic rapture through art and literature can be utilized in metaphysical awareness. This study concludes to the point where art not only reflects beauty but also acts as a bridge between the material and divine. Moreover, it discloses the facts that how individuality, unfulfilled longings, and extreme experiences have larger shades of meaning than just indulgence, and are greater catalysts for transformation that regenerate self-comprehension and evaluate metaphysical awareness. It helps to understand that true advancement occurs only when one aligns with cosmic order rather than imposing forceful change on others, confirming the belief that wisdom can be achieved only when it is fruitful to oneself. The research aims to explore and uncover how art leads to deep metaphysical insights and cosmic truths, analyzing that the blend of sensual, emotional, and artistic aspects is not a barrier but the gateway to metaphysical understanding.

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Prajapati, V. (2026). Divine in Art: Aesthetic Rapture, Masochism, Metaphysical Awareness. International Journal of Science, Strategic Management and Technology, 02(03). https://doi.org/10.55041/ijsmt.v2i3.438

Prajapati, Vivechana. "Divine in Art: Aesthetic Rapture, Masochism, Metaphysical Awareness." International Journal of Science, Strategic Management and Technology, vol. 02, no. 03, 2026, pp. . doi:https://doi.org/10.55041/ijsmt.v2i3.438.

Prajapati, Vivechana. "Divine in Art: Aesthetic Rapture, Masochism, Metaphysical Awareness." International Journal of Science, Strategic Management and Technology 02, no. 03 (2026). https://doi.org/https://doi.org/10.55041/ijsmt.v2i3.438.

References
1.Aristotle. Poetics. Translated by S. H. Butcher, Project Gutenberg, 3 Nov. 2008,     www.gutenberg.org/ebooks/1974.

2.Baumeister, Roy F. Masochism and the Self. Psychology Press, 2014.

3.Hamzi. “Metaphysics in Daily Life: Practical Applications of Abstract Thinking.” Cafelam, 2 Aug. 2025, www.cafelam.com/metaphysics-in-daily-life-practical-applications-of-abstract-thinking/

4.Harvey, John W, translator. The Idea of the Holy. By Rudolf Otto, Oxford University Press, 1924.

5.Johnston, Ian, translator. The Birth of Tragedy: Out of the Spirit of Music. By Friedrich Nietzsche, Vancouver Island University, 2008.

6.Largier, Niklaus. “Divine Suffering – Divine Pleasure: Martyrdom, Sensuality, and the Art of Delay.” Figurationen, no. 01/11, 2011, pp. 67-79.

7.Lewis, Thomas Tandy. “The idea of Holy by Rudolf Otto.” EBSCO Research Starters, EBSCO Information Services, 2022, www.ebsco.com/research-starters/literature-and-writing/idea-holy-rudolf-otto.

8.Newlyn, Emma. “What Is Hatha Yoga?” YogaEasy, www.yogaeasy.com/artikel/what-is-hatha-yoga.

9.Nietzsche, Friedrich. On the Genealogy of Morality. Translated by Carol Diethe, Edited by Keith Ansell-Pearson, Cambridge University Press, 2006.
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This article has undergone plagiarism screening and double-blind peer review. Editorial policies have been followed. Authors retain copyright under CC BY-NC 4.0 license. The research complies with ethical standards and institutional guidelines.
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