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THE ODISSI CLASSICAL MUSIC TRADITION:GITGOVINDA TO PADABALI

AUTHORS:
Dr. Himadri Tanya Mishra
Mentor
Affiliation
Central Institute of Indian Languages, Ministry of Higher Education, Govt. of India. Mysuru,
CC BY 4.0 License:
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
Classical music follows classical principles from a practical point of view within a specific discipline and with specific rules. Classical music and high-pitched music are known as classical music and vocal instruments. From the point of view of Indian and Carnatic music is observed, as is Odissi music. Odissi music also has a special feature. A special feature is ‘na druta na bilambita', meaning it is not the first time or the last time. The classical nature of Odissi music in all its aspects, from vocal to raag taal, is in perfect harmony with the beauty of the unique classical music of India. Odissi Music Odisha has its own classical music tradition. It is the music of the temple and the service of Sri jagannath. The 12th century poet Sri Jayadeva described his lyrical poetry as sweet and tender verses. In the middle of the Riti era, the verses composed between 1780 and 1880 AD will be full of devotional movement, and from the middle point of view, this period is considered as Music Age or Padabali Yuga in the history of Odia literature. The compositions of many poets during this period form the basis of Odissi music.
Keywords
Odissi Music Udra Classical bhajan janana boli poi Champu Chautisha Gitgavinda
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Mishra, H. T. (2026). The Odissi Classical Music Tradition:Gitgovinda to Padabali. International Journal of Science, Strategic Management and Technology, 02(02). https://doi.org/10.55041/ijsmt.v2i2.010

Mishra, Himadri. "The Odissi Classical Music Tradition:Gitgovinda to Padabali." International Journal of Science, Strategic Management and Technology, vol. 02, no. 02, 2026, pp. . doi:https://doi.org/10.55041/ijsmt.v2i2.010.

Mishra, Himadri. "The Odissi Classical Music Tradition:Gitgovinda to Padabali." International Journal of Science, Strategic Management and Technology 02, no. 02 (2026). https://doi.org/https://doi.org/10.55041/ijsmt.v2i2.010.

References
1.Das, Ramhari, Tradition and Practice of Odissi Music, 2004, Kaushik Publications, Bhubaneswar.

2.Padhi, Kirin Narayan, Odissi Music :-A Theoretical Analysis, 2004, Odisha, Bhubaneswar.

3.Padhi, Dr. Kirin Narayan Padhi, History of Odissi Music, 2005, Jaydev Foundation Trust, Bhubaneswar l

4.Mishra, Binayak, Odisha Chhand Sahitya, 2007, Odisha Sahitya Akademi, Bhubaneswar.

5.Water collector, Dr. Surendra Nath, The Creation of Poet Gopalakrishna and Saurabh, 2007, Vidyapuri l

6.Sahu, Krishna Charan, Poet Balaram Das, 2nd Edition, 2008, Odisha Academy of Literature.

7.Odissi Raga Saravi, Guru Kelucharan Mahapatra Odissi Research Center, 2008, Bhubaneswar.
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This article has undergone plagiarism screening and double-blind peer review. Editorial policies have been followed. Authors retain copyright under CC BY-NC 4.0 license. The research complies with ethical standards and institutional guidelines.
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